A26 Space, Beijing, presents Fancy Cut, a solo exhibition by Cai Jian featuring a new body of work spanning painting, image-based works, and sculpture. Taking the transformation of raw ingredients through culinary preparation as its point of departure, the exhibition reconsiders the traces of labour concealed within systems of aesthetic production and value-making. By foregrounding the complex material and labour processes that underlie refined appearances, Fancy Cut examines the tensions between creativity and the mechanisms through which value is produced and judged. The exhibition is curated by independent curator Chen Li.

Cai Jian Solo Exhibition

Fancy Cut

Jun 26, 2026 - Jul 21, 2026 · A26 Space, &51D.Park, Chaoyang District, Beijing

The exhibition’s Chinese title, Huadao (花刀), refers to a traditional Chinese knife-cutting technique used in food preparation. Both decorative and functional, it refines the appearance of ingredients while improving the cooking process. In the pursuit of visual appeal and appetite, imperfections, irregularities, and excess are deliberately concealed, leaving only a carefully constructed surface. At the same time, each incidental cut produces a residue that exists between labour, accumulated experience, and chance.

Cai Jian takes this notion of “non-essential labour” and “residue” as the conceptual foundation of the exhibition. Elements that lose their purpose once a task is complete are reclaimed and repositioned, while discarded values and suppressed traces are brought back into view as objects of attention.

Throughout his practice, Cai constructs the whole through fragments, transforms surplus into refinement, and allows the temporary to assume the appearance of permanence. Through continual shifts in material, image, and structure, he reveals what would otherwise remain unseen. Fancy Cut is both a reflection on the act of looking and a reconsideration of the mechanisms through which value is produced. In questioning the aesthetic standards that privilege refinement and completion, the exhibition also becomes an inquiry into the artist’s own practice—its conditions of making, production, and perception.

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